Title Gen-emon Pottery History and Vision

  • Saga
Topic(s):
Villages/Towns Regional Specialties
Medium/Media of Use:
Pamphlet Web Page
Text Length:
≤250 Words
FY Prepared:
2020
Associated Tourism Board:
aritaimbaundo tagengokaisetsuseibi kyogikai

源右衛門(げんえもん)窯の歴史と理念

源右衛門窯は260年以上前に築かれ、1753年以来、機械化をほとんど行うことなく手作業による伝統を守り続けてきた。極めて洗練された伝統的な工程を今も残している窯元のひとつであり、有田の磁器を世界中に轟かせる役目を果たした。江戸(えど)時代(1603~1867)は共同窯で焼成を行っていたが、1867年の倒幕により窯に関する厳しい規制が緩和され、1870年代初めに西洋のデザインを基にした新しい窯が現在の場所に改めて築かれた。


主に伝統的な日本食レストラン向けのテーブルウェアの生産に取りかかった。六代源右衛門(1928~1989)は、五代源右衛門(1962年没)の1951年の退職後に跡を継ぎ、有田焼をベースとした模様入りの織物や万年筆といった家庭用アイテムを生産した。現当主で、六代源右衛門の次男・金子昌司(かねこしょうじ)(1957年生まれ)さんも、ティーカップや箸置きなど日常使いの手作り作品の生産に引き続き注力している。


職人は生産工程の1つにのみ特化するという伝統を守り続けているため、源右衛門で作られる磁器の各工程(成形、下絵付け、施釉、上絵付け、焼成)はそれぞれ別のチームが行っている。工房では、仕事を観察して指導を受けられるよう、新人の職人がベテラン職人の隣に座る形をとっている。


Gen-emon Pottery History and Vision

Gen-emon kiln was established over 260 years ago. Since 1753, the kiln has maintained its handmade traditions with very little automation. Gen-emon is one kiln that preserves the highly refined, traditional process that helped make Arita porcelain ware known all over the world. Strict regulations regarding kilns, meant that Gen-emon pieces were fired in shared kilns during the Edo period (1603–1867). With the fall of the shogunate in 1867, the regulations were relaxed, and Gen-emon kiln was reestablished at its current location with a new kiln based on Western designs in the early 1870s.


Until the 1950s, Gen-emon kiln was known for their restaurant tableware. After his father, Gen-emon V’s (d. 1962) retirement in 1951, Gen-emon VI (1928–1989) took over the kiln and began producing tableware for use in the home and other household items like patterned fabric based on Arita ware designs and fountain pens made of porcelain. The current head of the kiln, Gen-emon VI’s second son Kaneko Shoji (b. 1957), continues to focus production on handmade pieces for everyday use such as teacups and chopstick rests.


Adhering to the tradition of craftsmen specializing in only one aspect of the production process, each stage of Gen-emon porcelain (throwing, underglaze painting, glazing, overglaze painting, and firing) is done separately by different teams. In the workshop, new artisans are seated next to senior craftsmen in order to observe and receive guidance.


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