Title Statue of Kōbō Daishi Kūkai, Father of Shingon Buddhism (13th century)

  • Nara
Topic(s):
Historic Sites/Castle Ruins Shrines/Temples/Churches Public Works & Institutions (Museums, etc.)
Medium/Media of Use:
Pamphlet
Text Length:
≤250 Words
FY Prepared:
2021
Associated Tourism Board:
Gangoji
Associated Address:
11, Chuincho, Nara-shi , Nara

弘法大師空海の像 (13世紀)

日本仏教の発展に大きく貢献した僧侶、空海(774-835)を描いた像である。空海は、真言密教をはじめとする日本文化に多大な貢献をした。921年、醍醐天皇(885-930)は空海に「弘法大師」の諡号を与えた。死後、空海は崇拝の対象となり、その無比の知恵、不屈の意志、超能力などについて多くの物語が語られた。いくつかの説によると、高野山の真言宗本部にある石窟で深い瞑想(=永遠の禅定)にふけりながら生きているという。

この像は、1284年に空海がこの世を去ってから450年を記念して作られたものと考えられている。空海は僧衣をまとい、右手には密教の法具である金剛杵を持っている。左手には数珠を持っている。

興味深いことに、この像の中には14世紀のものがいくつか納められていることが判明した。これらは、像の制作から数十年後に修理された際に内部に入れられたものと思われる。その中には、観音経の写しや、修理の資金を出した人たちの名前が書かれた文書もある。

空海は国内外を旅して学び、元興寺にも滞在した。空海が宿舎に座っていると、春日明神という神が鹿に乗って部屋に現れたという記録がある。春日明神は、空海の威光に惹かれて、寺に保管されている曼荼羅や遺物を守ろうとした。空海がいた部屋は現在、禅室の最西端にあり、「影向の間」と呼ばれている。


Statue of Kōbō Daishi Kūkai, Father of Shingon Buddhism (13th century)


This statue depicts the monk Kūkai (774–835), a pivotal figure in the development of Japanese Buddhism. Kūkai is credited with numerous contributions to Japanese culture, including creation of the Shingon sect of Esoteric Buddhism. In 921, Emperor Daigo (885–930) posthumously awarded him the title “Kōbō Daishi,” meaning literally, “Great Master Who Spread Buddhist Teaching.” After his death, Kūkai was venerated as a subject of worship, and many tales describe his peerless wisdom, undaunted will, and supernatural abilities. According to some beliefs, he remains alive, in a state of deep meditation, sequestered in a grotto at the Shingon Headquarters on Mt. Kōya.

The statue is thought to have been made in 1284, to mark the 450th anniversary of Kūkai’s passing from the world. It depicts Kūkai wearing a monk’s stole. In his right hand, he holds a vajra (kongōsho), a pronged implement used in Esoteric Buddhist rituals. In his left hand, Kūkai holds a set of Buddhist prayer beads (juzu).

Interestingly, the statue was found to contain several objects from the fourteenth century. It is believed that these items were inserted when the statue was repaired many decades after its creation. The objects include a copy of the Kannon Sutra and a document bearing the names of those who funded the statue’s repair.

Kūkai traveled and studied both within Japan and abroad, including at Gangōji. It is recorded that each day as Kūkai sat in his quarters, a deity named Kasuga Myōjin appeared in the chamber riding a deer. Drawn by Kūkai’s eminence, the deity came to protect the mandalas and relics stored at the temple. The room that Kūkai occupied is now part of the westernmost section of the Zenshitsu. It is referred to as the Yōgō no Ma, or “Room Where a Deity Descended.”


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