Title Roofed Passage (Watari Yagura)

  • Nagano
Topic(s):
Castles/Palaces
Medium/Media of Use:
$SETTINGS_DB.mediaClassificationMap.get($item)
Text Length:
251-500
FY Prepared:
2022
Associated Tourism Board:
Matsumoto City

渡櫓


(1) 天守への入り口

1634年に月見櫓ができるまでは、渡櫓の1階にある入り口が城への唯一のアクセス手段であった。入口の重厚な石段は、大天守と乾小天守を結ぶ廊下へと続いていた。現在、階段は安全性を高めるために手すりを含む木枠で覆われているが、これは一般公開が始まってから付け加えられたものである。


(2) 曲がった天井の梁

渡櫓の2階にある天井の梁のうち、1本は元の木の形状を残したままになっている。これは、地震時に伸縮しやすいようにと考えられたものである。 彦根城や金沢城など、他の城でも同じような曲線の梁を見ることができる。


梁に取り付けられた小さな銅板には、松本城の保存活動の歴史が記されている。


展示品

渡櫓の2階にある小さな展示室には、1950年代の天守の解体・復元時に取り外された瓦や釘などが展示されている。修理の際に屋根から剥がされた84,672枚の瓦のうち、22,396枚が回収され、再利用された。


城主が屋根の修理をするたびに、自分の家の家紋を入れた瓦を使った。その結果、城の屋根の瓦には、さまざまな家の紋が並んでいる。


辰巳附櫓


(1)「消えた」石落とし

辰巳附櫓は外から見ると、石落としと呼ばれる防御施設と思われる張り出しがある。通常、この張り出しは底が開いており、防御者が弓や火縄銃を撃つことができる空間になっている。この場合、開口部は床板で覆われている。


この張り出しは、辰巳附櫓と月見櫓の壁を合わせるために、構造上必要なものであった。戦時に建てられたのであれば、石落としが設けられたのであろうが、17世紀にはそのような防御的な機能は優先されなくなった。


(2) 戦時中と平時の柱

1603年に徳川幕府が成立すると、比較的平和な時代が到来し、大名は常に侵略の危険に備える必要はなくなった。このような変化は、城の構造を戦時と平時で比較するとよくわかる。大天守と辰巳附櫓の間の敷居にはそれぞれの柱が並んでいる。辰巳附櫓の柱は攻撃に耐えられるような構造ではなく、大天守の柱の約半分の太さしかない。


(3) 花頭窓と水切

辰巳附櫓の鐘楼窓は「花頭窓」と呼ばれるものである。中国発祥のデザインで、禅宗の寺院に多く用いられていた。この窓が次第に天守や武家屋敷に取り入れられるようになった。


窓辺には水切と呼ばれる開口部が設けられ、雨水が溜まって窓辺が傷むのを防いでいる。この水切は、雨水が小さなパイプを通って屋根に流れ出るようになっている。


展示品

辰巳附櫓の2階では、松本城鉄砲蔵赤羽コレクションの装備品を展示している。詳しくは収蔵品のページをご覧ください。



月見櫓


(1)無防備な櫓

月見櫓は、江戸時代(1603-1867)の平和な時代に増築された。そのため、旧来の天守のような防御機能は持たない。天守閣の3面には壁の代わりに木製の引き戸が取り付けられており、これを取り外すと本丸・二の丸と遠くの山々を一望することができる。床には畳が敷かれ、宴が行われた。


月見櫓は、徳川三代将軍・徳川家光(1604-1651)が善光寺参詣をする途中、この城に宿泊するために建てられたといわれている。しかし、家光は落石のため別の道を通り、松本を通過することはなかった。


(2) 船底天井と朱塗りの縁側

月見櫓には、戦時中ではありえないような優雅な演出が随所に施されている。例えば、塔の周囲には朱塗りの縁側があり、その角には緩やかなカーブを描く手すりがついている。また、船底天井は柿渋の染料で赤く染め上げられ、木が赤く輝いている。

Roofed Passage (Watari Yagura)


(1) Entrance to the Castle

Before the Moon-Viewing Tower was added in 1634, the entrance on the ground floor of the Roofed Passage was the only way to access the castle. The massive stone stairs at its entrance lead up to a hallway that connects the Great Keep and the Northwest Tower. The stairs are now covered by a wooden frame that includes handrails to improve safety, but this was only added once the castle was opened to the public.


(2) Curved Ceiling Beam

One of the ceiling beams on the second floor of the Roofed Passage has been left in the natural shape of the tree from which it was made. It was thought that leaving the timbers in their natural shape would allow the beam to flex and bend more easily during an earthquake. Similar curved beams can be seen at other castles, such as Hikone Castle and Kanazawa Castle.


The small bronze plaque on the beam describes the history of preservation efforts at Matsumoto Castle.


Items on Display

A small display on the second floor of the Roofed Passage contains roof tiles and nails that were removed during the deconstruction and restoration of the castle in the 1950s. Of the 84,672 tiles that were stripped from the castle roof at the time of the repairs, 22,396 were salvaged and reused.


Each time a lord of the castle made repairs to the roof, they used tiles decorated with their own family’s crest. As a result, the crests of different families can be found side by side on the tiles of the castle roof.



Southeast Wing (Tatsumi Tsuki-yagura)


(1) The “Hidden” Ishi Otoshi

Viewed from outside, the Southeast Wing has an overhang that appears to be a defensive feature called an ishi otoshi. Normally, the overhang would have been open at the bottom, creating a space through which defenders could shoot bows and muskets. In this case, the opening is covered by floorboards.


The overhang was structurally necessary to ensure that the walls of the Southeast Wing and the Moon-Viewing Tower lined up. Had the structure been built during wartime, the floor likely would have been left open, but such defensive features were no longer a priority in the seventeenth century.


(2) Pillars from Wartime and Peacetime

The establishment of the Tokugawa shogunate in 1603 ushered in an era of relative peace, and daimyos no longer needed to prepare for the constant risk of invasion. This shift can be seen when comparing wartime and peacetime structures of the castle. At the threshold between the Great Keep and the Southeast Wing, pillars from each structure are positioned side by side. The pillars in the Southeast Wing were not built to withstand an attack, and they are only about half as thick as those of the Great Keep.


(3) Katōmado Window and Mizukiri Rain Gutter

The bell-shaped window in the Southeast Wing is called a katōmado window. This design originated in China and was often used in Zen Buddhist temples. Katōmado windows eventually became incorporated into castle architecture and samurai residences.


An opening called a mizukiri was added to the windowsill to prevent rainwater from pooling and damaging the sill. The mizukiri directs rainwater out onto the roof through a small pipe.


Items on Display

Containers for gunpowder and other objects from the Matsumoto Castle Firearm Museum are displayed on the second floor of the Southeast Wing. More information about some of these objects can be found on the Collections page.



Moon-Viewing Tower (Tsukimi Yagura)


(1) The Defenseless Tower

The Moon-Viewing Tower was added to the castle during the Edo period (1603–1867), a period of lasting peace. As a result, the tower lacks the defensive features of the older portions of the castle. Instead of sturdy walls, three sides of the Moon-Viewing Tower have been fitted with sliding wooden doors that can be removed to provide an outlook over the surrounding castle grounds and a sweeping view of the distant mountains. When gatherings were held, the floor was covered with woven tatami mats.


The Moon-Viewing Tower is said to have been built to host the third Tokugawa shogun, Tokugawa Iemitsu (1604–1651), who had planned to stay at the castle while traveling to Zenkōji Temple. However, a rockslide forced Iemitsu to take a different route, and he never passed through Matsumoto.


(2) Vaulted Ceiling and Vermillion-Lacquered Veranda

The Moon-Viewing Tower contains many elegant touches that would not have been included in a time of war. For example, the tower is encircled by a vermillion-lacquered veranda with handrails that gently curve upward at the corners, and the beams of the vaulted ceiling have been stained using a dye made from persimmon juice to give the wood a reddish glow.

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