Title Naritasan Shinshoji Temple and the Ichikawa Family Connection

  • Chiba
Topic(s):
Historic Sites/Castle Ruins Shrines/Temples/Churches Fine Arts/Performing Arts/Traditional Crafts
Medium/Media of Use:
Web Page
Text Length:
501-750
FY Prepared:
2018
Associated Tourism Board:
Narita City Tourism Association
Associated Address:
760 Hanazakicho, Narita-shi , Chiba

成田山と市川宗家との繋がり


歌舞伎の市川宗家と成田山との関係は、江戸元禄時代(1688年~1704年)の初代市川團十郎(1660-1704)にまでさかのぼる。市川一門は今日までその繋がりを守り、祝日や人生の大きな記念行事ごとに寺を訪れている。


初代團十郎と屋号「成田屋」について

有名な歌舞伎役者である初代市川團十郎の父は、現在の成田市幡谷に生まれた。


市川一門の初代團十郎は、1673年、14歳で初舞台を踏む。侍の坂田公時に扮し、赤と黒に顔を塗り、大胆な演技を披露したのである。役者としてすぐに人気者になるが、私生活では子宝に恵まれずにいた。そこで成田山新勝寺へ行って祈願したところ、その後すぐに願いが叶い、1688年男子を授かったのである。


初代團十郎は、この奇跡を大変喜び、1695年、成田山新勝寺の不動明王を演じてこれを祝った。今までに類を見ないような芝居であり、これは大成功を収める。彼はこの後も度々不動明王を演じたという。こうしてこの役が市川家の十八番(favorite)となり、それ以来人気のレパートリーとして演じ続けられている。また、これが屋号、成田屋の始まりだともいわれている。


初代團十郎による、荒事といわれる勇壮なドラマは、見る人に今までの舞台になかった喜びと勇気を与えたと言われている。多くの観客にとって、その独特な赤と黒のメイク(隈取り)と、團十郎の荒事の演技は、まさに不動明王の化身のようにも思えた。演技のクライマックスに演じられる「見得(俳優が観客を強く見つめる瞬間 不動見得とも知られる)」は、観客の病気を治したとすら言われる。


初代團十郎の息子である九蔵は10歳で初舞台を踏んだ。親子は、子宝に恵まれたことや、歌舞伎「兵根元曽我」が大当たりしたことに感謝し、成田山新勝寺に大きな鏡を奉納した。また、舞台衣装には成田山の葉牡丹紋をあしらうなど、その絆の深さを物語っている。その後何年も経ち、五代目が得意とする演目「暫く」にて、先祖の初代團十郎の信心を引き合いに出し、「成田の不動明王は先祖代々の産神にて…」とのセリフを言ったともいわれている。


このように、成田山新勝寺の不動明王は、市川一門の歌舞伎役者のルーツでもある。もしかしたら、「成田屋」の屋号を与えられるほどの信仰心があったからこそ、初代團十郎はあれほどの演技を行うことができたのかもしれない。。


表参道にある延命院旧跡

Naritasan Shinshoji Temple and the Ichikawa Family Connection


The relationship between the Ichikawa family line of Kabuki actors and Naritasan Shinshoji Temple can be traced back to the Genroku period (1688–1704) of the Edo period (1603–1867), to the first Ichikawa Danjuro (1660–1704). The family continues to maintain its connections to this day by visiting the temple during holidays and to celebrate major life events.


Danjuro I and the stage name “Naritaya”

The famous Kabuki actor Ichikawa Danjuro I's father was born in present-day Hataya, Narita city.

Ichikawa Danjuro I, the first of the Ichikawa school, debuted on stage in 1673 at the age of 14, painting his face in red and black in a heroic performance as the samurai Sakata no Kintoki. Although he quickly gained popularity as an actor, he was troubled because he was childless. So he went to pray at Naritasan Shinshoji Temple for a child and was soon blessed with a son in 1688.


Danjuro I was overjoyed by this miracle, and in 1695 he celebrated by playing the part of Naritasan Shinshoji Temple's revered deity Fudo Myoo on stage. This play was the first of its kind and a great success. He would continue to perform the role many times during his lifetime. The role became a favorite of the Ichikawa family and has since continued to be a part of their ohako, or repertoire. This play is said to be the beginning of their school stage name, “Naritaya.”


The heroic dramatism (aragoto) of Danjuro I is thought to have instilled a sense of joy and courage in the audience in a way the stage never had never seen before. To many in the audience, the unique red-and-black makeup, and Danjuro's aragoto seemed to be like an incarnation of the deity Fudo Myoo. At the climax of the performance, the mie, or the moment when an actor strikes a pose staring at the audience, also known as the Fudo mie, members of the audience are said to have been cured of their ailments.


The son of Danjuro I, Kyuzo, debuted on stage at the age of 10. With his son, Danjuro I donated a large mirror to Naritasan Shinshoji Temple to express his gratitude for being blessed with a child and for the success of their Kabuki play Tsuwamono Kogen Soga. The ornamental cabbage crest of Naritasan Shinshoji Temple was worn upon their stage uniform, showing their deep bond with the temple. It is said that many years later, in reference to his predecessor Danjuro I’s devotion, Ichikawa V would, in his specialty play Shibaraku, utter the following line: “By the great Fudo Myoo of Narita, the ancestral guardian of children bearing…”


Thus, it may be said that the Fudo Myoo of Naritasan Shinshoji Temple is the origin of the Ichikawa line of Kabuki actors. Perhaps it can even be said that it is due to the devotion that gained them the stage name "Naritaya" that Danjuro I performed as well as he did.


Site of Enmeiin on Omotesando Street

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