Title Metal Chasing (Chōkin)

  • Ishikawa
Topic(s):
Regional Specialties
Medium/Media of Use:
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Text Length:
≤250 Words
FY Prepared:
2022
Associated Tourism Board:
Ishikawa Crafts and Cultural Heritage Digital Contents Promotion Council

彫金


彫金(ちょうきん)とは、金属工芸品に施される様々な装飾技法を指す。彫り、打ち出し、魚子打ち、象嵌などの特殊な技法が含まれる。1955年に重要無形文化財に指定された。


弥生時代(紀元前300年-紀元後300年)にアジア大陸から伝わり、日本の冶金技法とともに儀礼的・機能的な装飾品として発展してきた彫金の技法。19世紀後半、明治政府により刀剣類の着用が禁止され、金属加工の機械化が進むと、金属職人たちはその技法を美術品に転用し、日本のあらゆる工芸品を海外に売り込むようになった。


彫金には、線彫り、浮き彫り、透かし彫りなどの専門技法があるが、石川県に最も関係の深い技法は、金や銀などの柔らかい金属を硬い地金に埋め込む「象嵌(ぞうがん)」である。この技法は「加賀象嵌」と呼ばれ、石川県の前身である藩の名前にちなんで名づけられた。加賀象嵌の特徴は、地金の留め方にある。職人が地金に斜めに切り込みを入れ、開口部より底部の方が広くなるようにする。象嵌を打ち込むと、このくぼみに広がり、その上に地金のはみ出した部分が押しつけられる。


石川県立美術館には、加賀藩が誇った象嵌の鐙(あぶみ)など、彫金の技法を示す作品が数多く所蔵されている。

Metal Chasing (Chōkin)


Chōkin refers to a variety of decorative chasing techniques used in metalwork. These include specialized methods of engraving, carving, hammering, and inlay. They were collectively designated an Important Intangible Cultural Heritage in 1955.


Early chasing techniques were imported from continental Asia during the Yayoi period (300 BCE–300 CE) and evolved alongside Japanese metallurgy as a way of ornamenting both ritual and functional objects. A shift towards purely artistic applications happened in the late nineteenth century, when the wearing of swords was banned by the new Meiji government and metal production became more mechanized. Metalworkers turned their skills to art instead, finding an international market eager for all kinds of Japanese crafts.


Chōkin encompasses specialized techniques for line engraving, relief carving, and openwork, but the technique most associated with Ishikawa Prefecture is inlay, in which softer metals, like gold and silver, are embedded in harder base metals. The local style is called kaga zōgan (Kaga inlay), named after the domain that preceded the modern-day prefecture. It is distinguished partly by the way the inlaid metal is held in place. The artisan cuts into the base metal at an angle so that the bottom of the cavity is wider than the opening. When the inlay is hammered in, it spreads into this indentation while the base metal overhang is pressed down over it.


The Ishikawa Prefectural Museum of Art holds many pieces demonstrating chōkin techniques, including some of the zōgan metal stirrups that were the pride of Kaga domain.

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