地域観光資源の 多言語解説文データベース

Katō Takuo (1917–2005)

Katō Takuo was the sixth-generation head of Kōbeigama, a Tajimi kiln founded in 1804. His rediscovery of sansai, or “three-color,” glazing techniques earned him the designation of Living National Treasure in 1995.

Takuo had a deep interest in Persian ceramics that led him to study other low-temperature glazes, such as those used in lusterware. Much of the knowledge of ancient Persian ceramics had been lost to time and human migration, but Takuo managed to re-create these glazes through exhaustive research and experimentation. He produced many pieces that fuse Persian and Japanese aesthetics and techniques.

Takuo’s success in reverse-engineering historical styles brought him to the attention of the Imperial Household Agency. The repository of imperial treasures at Shōsō-in, in Nara, contains eighth-century Japanese sansai ceramic works, but the secrets behind their creation had been lost to time. The agency commissioned Takuo to re-create these sansai glazing techniques, a project that ultimately required nine years of painstaking research.

The vase displayed here has the clear, bright green and orange-over-milky-white of ancient Japanese sansai, but its studded form is much more contemporary. This combination of old and new epitomizes Takuo’s unique style.

加藤卓男（1917-2005）

多治見的「幸兵衛窯」創立於1804年，加藤卓男是其第6代掌門人。他復原了三彩技法，於1995年被認定為「人間國寶」。

加藤卓男對波斯陶器興趣濃厚，專注於研究各類低溫釉，比如散發著金屬光澤的虹彩陶釉。隨著時代變遷、人口遷徙，許多古波斯陶器的知識都已失傳，但加藤卓男不厭其煩地研究、實驗，終於成功重現這些釉彩，創作了許多融合波斯和日本審美與技藝的作品。

加藤卓男成功述古，再現古風，引起了日本宮內廳的關注。奈良正倉院的正倉裡藏有8世紀的日本三彩陶，但製作方法早已失傳。加藤卓男受宮內廳委託重構三彩釉技法，歷時9年的艱苦研究後，任務終告完成。

這尊花瓶奶白色的底色襯著鮮豔清透的綠色和橙黃，是典型的日本古三彩釉，而凸起的虛線條紋裝飾造型卻頗為現代。這種古與今的結合正是加藤卓男獨有的風格。

加藤卓男(1917-2005)

多治见的“幸兵卫窑”创立于1804年，加藤卓男是其第6代掌门人。他复原了三彩技法，于1995年被认定为“人间国宝”。

加藤卓男对波斯陶器兴趣浓厚，专注于研究各类低温釉，比如散发金属光泽的虹彩陶釉。随着时代变迁、人口迁徙，许多古波斯陶器的知识都已失传，但加藤卓男不厌其烦地研究实验，终于成功重现这些釉彩，创作了许多融合波斯和日本审美与技艺的作品。

加藤卓男成功述古，再现古风，引起了日本宫内厅的关注。奈良正仓院的正仓里藏有8世纪的日本三彩陶，但制作方法早已失传。加藤卓男受宫内厅委托重构三彩釉技法，历时9年的艰苦研究后，任务终告完成。

这尊花瓶奶白的底色衬着鲜艳清透的绿色和橙黄，是典型的日本古三彩釉，而凸起的虚线条纹装饰造型却颇为现代。这种古与今的结合正是加藤卓男独有的风格。